Hito Steyerl Duty Free Art Art in the Age of Planetary Civil War Pdf

9781786632449

Duty Free Art

Art in the Historic period of Planetary Civil State of war

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256 pages / February 2019 / 9781786632449

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October 2017 / 9781786632463

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256 pages / October 2017 / 9781786632432

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What is the function of art in the era of digital gloablisation?

How tin i think of fine art institutions in an age defined by planetary ceremonious war, growing inequality, and proprietary digital technology? The boundaries of such institutions take grown fuzzy. They extend from a region where the audience is pumped for tweets to a time to come of "neurocurating," in which paintings surveil their audience via facial recognition and centre tracking to assess their popularity and to scan for suspicious activeness.

In Duty Costless Art, filmmaker and writer Hito Steyerl wonders how we can appreciate, or even make art, in the present age.

What tin we do when arms manufacturers sponsor museums, and some of the world'south almost valuable artworks are used as currency in a global futures market detached from productive piece of work? Can nosotros distinguish between information, simulated news, and the digital white noise that bombards our everyday lives? Exploring subjects as diverse as video games, WikiLeaks files, the proliferation of freeports, and political actions, she exposes the paradoxes inside globalization, political economies, visual culture, and the status of fine art production.

"Steyerl refuses to nail downwardly a single thought, or insist on a point of view. Instead, we become art as an deed of moral thinking-in-progress. In a very of-the-moment, digital-historic period way, the logic of that thinking is fractured, the nature of morality doubtable. Simply a belief in the necessity of thinking, restlessly, politically, never is in doubt."

"The highest duty of theory and fine art is to grasp and clear their own time. In our fourth dimension Hito Steyerl fulfills this duty as nobody else. Her investigations of the fate of images and words in the age of their global circulation are always focused and precise—but too audacious, unexpected and fascinating."

"Hito Steyerl's nuanced essays dissect the buckshot of digital data streams. And as her own fine art work engages all those digital filters and proxies that scramble and reassemble and generate noise, she as well rehearses some other way of thinking or recognizing or laughing."

"Faced with a earth lacking the stable ground necessary to base proper metaphysical claims or foundational political myths, one populated by questionable images, institutions and identities, Steyerl'due south practice—her case—retains a clear message: bureau is still possible; ane can still act, if merely to needle and pick at representations in lodge to betrayal the atmospheric condition of manipulation, exploitation and affect underlying their appearance."

"Steyerl'southward art is extremely rich, dumbo and rewarding … With Steyerl, y'all can't e'er tell fact from fabulation, where the jokes cease and seriousness begins, what is truth and what is a prevarication. A pleasure in art can unhinge u.s.a. in everyday life, where we are undone by falsehoods at every plow."

"Offers a powerful defence force of contemporary art's chapters to disrupt (rather than reinforce) systems of unequal distribution —of wealth, violence, ability. This collection of essays is sometimes funny, frequently moving."

"Folio by page, line by line, and phrase by phrase, Duty Free Art is a real and disquieting treasure."

"Steyerl emerges as a critic in the tradition of Georg Simmel and Sigfried Kracauer, thinkers whom she credits with analyzing the surfaces of modernity not as superficial epiphenomena or "mere appearances" but as its condensation and substance."

"[Steyerl] gleefully surfs everything from military machine 3-D imaging and printing to big data and corporate surveillance to computer gaming, finding in disparate events and phenomena the fingerprints of a neoliberal media lodge in which the one-time modernist notion of autonomy now refers to machines that communicate in codes."

"Brace yourselves. Steyerl blasts away at the cultural structures that underlie the fine art earth … [and] rattles all artful self-approbation."

"Steyerl moves from granular questions of lawmaking and data to more nebulous paradoxes and incongruities, critically interrogating the fine art world she uneasily inhabits in relation to contradictions in engineering science, politics and visual civilization at large."

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Source: https://www.versobooks.com/books/2992-duty-free-art

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